Fanny Allié - collagraphs

Rust, 2021, paper pulp, thread, fabric and watercolor, 18.25in x 15.25in

Suspended Dress, 2021, paper pulp, leather, watercolor, 15in x 15in

Propeller 3, 2021, paper pulp, fabric, thread and watercolor, 15.75in x 13in

Propeller 2, 2021, paper pulp, fabric, thread and watercolor, 15.75in x 13.75in

Shack, 2021, paper pulp, fabric, thread and watercolor, 16in x 15.5in

Curtains #1, 2021, paper pulp and watercolor, 19.5in x 10in

The Circle, 2021, paper pulp, thread and watercolor, 17.5in x 14.5in

Empty Lines, 2021, paper pulp, thread, fabric and watercolor, 17.5in x 15in

Dark Cloud, 2021, paper pulp and watercolor, 18in x 20.5in

The Empty Space, 2021, paper pulp and watercolor, 14.5in x 16in

Carapace #1, 2021, paper pulp and watercolor, 15.75in x 19.25in

Tarp, 2021, paper pulp, watercolor, thread and fabric, 13in x 15in

Tunnel, 2021, paper pulp and watercolor, 13in x 15in

Propeller #1, 2021, paper pulp, fabric, thread and watercolor, 15.75in x 13.50in

Medallion, 2021, paper pulp, thread, fabric and watercolor, 19.25in x 15.25in

The Triangle, 2021, paper pulp, thread and watercolor, 12.75in x 13in

In the House, 2021, paper pulp and watercolor, 12in x 13in

Chest #1, 2021, paper pulp and watercolor, 15.25in x 11in

Torso #1, 2021, paper pulp and watercolor, 16.5in x 12in

Broken Wall #1, 2021, paper pulp and watercolor, 15.5in x 10in

Broken Wall #3, 2021, paper pulp and watercolor, 15.5in x 10in

Particles, 2020, paper pulp, found paper, collagraph prints, fabric and thread,
18.25in x 24.25in

The Cave 2018, ink on paper, 22in x 29.5in

The Pink Series 2019, ink on paper, 11in x 15in each - to view prints
individually, click here

Arches 2018, ink on paper, 22in x 30.5in

Morning Star 2018, ink and mixed media on paper, 25.5in x 39.5in

Creatures #1, #2 and #3, 2016, collages and mixed-media on stonehenge paper, 38in x 50in each. The Creatures Series is based on my own subjective experience of the city through the people I cross paths with, on a daily basis. The characters evolve and interact with each other like a micro-society but the figures seem to be floating, placed on a neutral white background with no sense of perspective. The clothing/uniforms worn by the characters and their body positions (kneeling, crawling, bending, jumping, praying…) are reminiscent of my childhood but also contain fragments of daily news anchored in an urban context. My Creatures seem to be spreading into a molecular environment in which each of the figures is driven by an inner force. Found paper, used fabric, strips of plastic or scraps of wall paint, fragments and little objects found on the street are used for the making of The Creatures Series which become creations and products of the city itself.